Earlier this year Belgian company Plan C launched The Additive Toolbox to accompany The Additive Challenge, inviting the 3d printing industry to address a better future for people and planet in their creations.
I had a great experience designing the Toolbox with talented fellow designer Joana Casaca Lemos. We were commissioned by Forum for the Future who in turn were working with Plan C on the iMade project, which looks at additive manufacturing as the third industrial revolution. I just got my Additive Toolbox prototype in the post and I’m so delighted with how it all turned out.
Joana and I worked together to create the identity, graphics and physical form of the toolbox, including a poster, a set of postcards and a worksheet. These tools outline 6 making principles and 6 maker communities to guide designers, makers and manufacturers through the considerations of materials, production methods and life cycle for their products.
The toolbox was given out to anyone who entered the Additive Challenge. The latest news about the challengers in the competition can be found on the project site. As a designer it’s a pretty great to be asked to create a tool to help other designers and I’m excited to see who the finalists are in this competition.
In October 2012 I opened the Hive Mind Collective in Westbourne Studios in West London. For a long time I had wanted to create a shared studio space with other creatives and suddenly I had the chance.
After working a home for some years (too isolating) and then in co-working spaces in central London for several more years (too distracting) I was looking for the right balance between good company, and opportunities for collaboration, and a peaceful space where I could concentrate on my work and not always have to be moving around every day.
There is a certain focus and calm that comes with having your own desk space I find. Also I think there is an optimum number of people to share a space with. I found working in Hub Westminster just too much with dozens of people bustling around. Under ten seems comfortable to me. We have 8 desks in the studio, but due to everyone’s different schedules, we are 4 to 5 people most days.
It has taken longer than I imagined to find the right people to share with, but I’m pretty delighted at the current combination of talented women in the space:
A new kind of freestyle creative collaborative event has been born under the title Good for Nothing. Due to the initiative, gumption and blagging skills of Tom Farrand, Tom Rowley and Dan Burgess (aka The Pipeline Project) GFN brought together an amazing bunch of creatives one weekend in chilly December to help develop communication, design and branding strategies for three amazing non-profits. I was delighted to work on the Global Generation brief: working with young people and businesses to create urban gardens. It was, all in all, an amazing, intense and very rewarding experience. I’m look forward to doing some more Good For Nothing sometime soon.
King’s Cross Gasholder 8, with its cultural heritage of Victorian engineering ingenuity, provides a fascinating setting for The Pulse. The gasholder, which once stored the gas that provided light and heat to London, is a powerful starting point. The contemporary absence of the gasholder leaves a void to be filled with a new energy, one that draws on the stories that fuel our past while looking to the sustainability of our future.